6.15.12 Human Element [Scott Kinsey + Matt Garrison + Arto Tuncboyaciyan + Gary Novak]
Human Element
[Scott Kinsey + Matt Garrison + Arto Tuncboyaciyan + Gary Novak]
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Jazz multi-keyboardist Scott Kinsey began studying piano at an early age and almost instantly became interested in the synthesizer. After graduating from Boston’s Berklee College of Music in 1991, Scott moved to Los Angeles and was soon touring the world with the critically acclaimed electric jazz group “Tribal Tech”.
In addition to his work with Tribal Tech (feat. Scott Henderson and Gary Willis), Scott has performed and recorded with: James Moody, Kurt Rosenwinkel, Michael Landau (Live), Philip Bailey, Anne Sofie Von Otter, Bill Evans, Robben Ford, Gary Willis, WDR Big Band, Serj Tankian (System of a Down), David Holmes & The Free Association, Joe Zawinul, Danny Carey (TOOL), Norrbotten Big Band, Tim Hagans, Bob Belden, Nicholas Payton & Sonic Trance, Matt Garrison and many others.
Kinsey has also lent his record production skills to Philip Bailey (“Soul On Jazz”), Joe Zawinul (“Faces and Places”), Tim Hagans (Imagination Animation and ReAnimation – Both Grammy nominated) Tribal Tech (Reality Check,Thick,Rocket Science), Scott Henderson (Dog Party, Tore Down House) Gary Willis (Bent) and James Moody (“Homage”).
You can also hear Scott featured in the soundtracks to “Ocean’s Eleven”, “Code 46”, “Stander”, “Confessions of a Dangerous Mind”, “Brown Sugar”, “Analyze That!” and 2005’s hugely successful “Ocean’s Twelve”. New soundtracks include Bob Odenkirk’s “Let’s go to Prison”, The Good German and “Smokin’ Aces”.
Scott, as an improvising synthesist, has always utilized the newest technology and is always striving to reach the improvisational potential of the synthesizer.
Scott released his solo CD, “Kinesthetics”, Oct of 2006 on Abstract Logix and Feb ’07 on Joe Zawinul’s record label BirdJam (BHM). The CD features Steve Tavaglione, Arto Tuncboyaciyan, Cyril Atef, Michael Landau, Scott Henderson, Vinnie Colaiuta, Alex Acuña, Abraham Laboriel Sr. and many others. “…it don’t get no better than this.” - Keyboard Magazine 2/07
The Critics on Kinsey: “Kinsey doesn’t just blow incredible solos or lay down perfect voicings; with the sounds he dials in, every note is a three dimensional adventure.” - Ernie Rideout, Keyboard Magazine, January ‘99.
“Tribal Tech’s secret weapon remains keyboardist Kinsey, who not only adds harmonic meat with his richly provocative choral voicings, hip comping and counterpoint melodies but also stands as one of the most creative and unpredictable synth soloists around. He is always looking to push the envelope.” - Bill Milkowski ‘2000 “
…”Kinsey, perhaps in compensation for his inhuman chops quotient, has now established himself as an innovator for incorporating the human element, in the form of sampled vocals—pitched, unpitched, sung, spoken or screamed—into his custom-programmed sonic voice.” - Phil DiPietro, All About Jazz.com, 2004
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Matthew Garrison was born June 2, 1970 in New York. Here he spent the first eight years of his life immersed in a community of musicians, dancers, visual artists and poets. After the death of his father Jimmy Garrison (John Coltrane’s bassist), his family relocated to Rome, Italy where he began to study piano and bass guitar. In 1988 Matthew returned to the United States and lived with his godfather Jack Dejohnette for two years. Here he studied intensively with both Dejohnette and bassist Dave Holland.In 1989 Matthew received a full scholarship to attend Berklee College of Music in Boston. Here he began his professional career with the likes of Gary Burton, Bob Moses, Betty Carter, Mike Gibbs and Lyle Mays to mention a few. Matthew moved to Brooklyn, New York in 1994 and since then has performed, toured and recorded with artists such as Herbie Hancock, Joe Zawinul, Chaka Khan, Pino Daniele, Meshell Ndege Ocello, Joni Mitchell, Whitney Houston, Wayne Shorter, Jack Dejohnette, Steve Coleman, Rita Marcotulli, Bill Cosby, Paul Simon, Cassandra Wilson, Wallace Roney, Geri Allen, Gary Thomas, John Mclaughlin, The Gil Evans Orchestra, Tito Puente, Mike Gibbs, John Scofield, The Saturday Night Live Band, Michael Brecker, Randy Brecker, Mike Stern, Pat Metheny and many others. In 1998 Matthew founded GarrisonJazz Productions through which he currently Produces, Promotes and Markets his music.
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Arto Tunçboyaciyan, percussionist and singer, was born in Turkey in 1957 of Armenian descent of the Anatolian root. One of his greatest influences of music and life was his brother Onno, musician himself, who encouraged Arto to develop his character not just as a brother but as a friend and as a musician. At the age of 11, he began his career playing and recording traditional music with his brother establishing himself as a professional musician throughout Turkey and Europe. Music is a fundamental element of his life, by which he tries to communicate his great values: love, respect and truth. In 1981 Arto moved to United States to explore new creative influences and to add a new dimension to his own vision of life. Since then, he has given solo concerts of his own music throughout the world. In 1985 two solo albums were released on the Dutch Keytone Label: Virginland and Main Root. He started a meaningful cooperation with the Armenian oud player Ara Dinkjian, with whom he recorded in duo Tears of Dignity and Onno for the Greek label Libra Music. Two wonderful albums in which music “has the sound of my life” using Arto’s words. Onno is the homage to his brother Onno Ohannes Tunçboyaciyan suddenly disappeared in 1996, in which compositions are a clear expression of Arto’s memories of his brother when he was alive and after his death. With Ara Dinkjian he founded as well the group NIGHT ARK and recorded the following albums: Picture, Moments, Wonderland and Petals On Your Path (released in February 2000 by Universal Music). In 1998 he participated at the Italian project TRIBOH, conceived and co-led with the vocalist Maria Pia De Vito and the pianoplayer Rita Marcotulli, recording the CD Triboh for the Italian label Polosud. He is a member of the group WALKING FISH together with Matthew Garrison, Jim Beard, Gene Lake and Bob Malach. Recently his latest album with Paul Winter Every Day is a New Life has been released by Living Music. .. .. .. .. .. Currently he is working with Armenian musicians with whom he founded his new group THE ARMENIAN NAVY BAND, a small orchestra rooted in Armenian and Anatolian traditional music with the inspiration and sound of today. The project was born in 1998 after the meeting in Yerevan with young Armenian musicians coming from different music experiences (ethnic and contemporary Armenian music). Since then the idea to create a group which could represent the sound of Armenia of today became concrete. The two albums that represent the current aspects of Arto’s music search are Avci, a movie soundtrack composed by the artist, and Bzidik Zinvor. Bzidik Zinvor has been recorded in Armenia and is the result of the very first meeting with several musicians from Yerevan. Arto’s original compositions express the sound of the past generations along with today’s life: this is what he calls “avantgarde folk”. During the year 2000 THE ARMENIAN NAVY BAND has been touring Europe receiving great acclaim from the audience and enthusiastic music criticism. This experience will be collected in the next CD recorded in Istanbul for the Turkish label Imaj Müzik. Arto can be heard on variuos recordings including those of Chet Baker The Best Thing For You, Arthur Blythe Hipmotism and Night Song, Jim Pepper The Path, Marc Johnson Right Brain Patrol and Magic Labyrinth, Dino Saluzzi Mojotoro, Al Di Meola World Sinfonia, Heart of the Immigrants and Kiss Me Axe, Bob Berg Virtual Reality and Riddles, Hank Roberts Little Motor People, Mike Mainieri An American Diary, Joe Zawinul Stories of the Danube and My People, Oregon Oregon 97 and many other great recordings and featurings.
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Born and raised in Chicago, Gary Novak was practically born with drum sticks in hand. Coming from parents of great musical talent, it is no wonder that Gary began playing the piano at the tender age of 8. While most musicians find their musical inspiration outside the home, Novak’s influence came from his parents. His mother, Carol Novak, also a pianist, played with her trio at the London House. His father, Larry Novak, the famous Chicago pianist, not only encouraged the career of his son but also put him to work. From the age of 10 to 12, Novak would work with his father’s trio in all the Chicago clubs, including Mr. Kelly’s, gaining the insight and experience that would lead to several musical milestones obtained at a very young age.
During high school, Novak worked with the jazz clarinet master Buddy Defranco as well as such notables as Joe Williams, Milt Hinton, Kenny Burrell, Barney Kessel and the great Louis Bellson. Novak’s blossoming reputation lead to the opportunity to represent Yamaha drums and Zildjian cymbal through endorsements at the age of 17.
At 19 years old, Novak moved to Los Angeles – an important step forward for Novak bringing many opportunities most could only dream of getting. Not only did Los Angeles bring him his first road job with Maynard Ferguson, but it marked a year of great exposure. Novak would come to work with Brandon Fields and record on his latest LP. He worked with such musical greats as Michael McDonald, Natalie Cole, David Sanborn and Anita Baker.
He teamed up with guitarist Lee Ritenour who employed him for his solo tour and the GRP All-Star tour in 1991.
Novak continued to tour throughout ’92, this time with George Benson. Although he had been working for the greater part of his life, he was not about to slow down. At 28, he joined Chick Corea’s newest band. After leaving it, he toured with other great musicians, such as Bob Berg and Allan Holdsworth. In 1998 he joined Canadian pop star Alanis Morissette’s band, recording and touring with her for over a year.
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- Published:
- June 14, 2012 / 3:33 am
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- Playing Tomorrow !
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